The origins of the comic book are somewhat controversial and perhaps the jury is still out on comic book history. So lets go back to the cartoonish broadsheets of the Middle Ages, which were parchment products, created by anonymous woodcutters. These could have been the very beginnings of the comic book.As mass circulation of these broadsheets became possible, they soon developed a market, particularly at public executions, popular events for centuries (ugh), which drew thousands of happy spectators. Many of these spectators would invest in an artist’s rendering of a hanging or burning, and thus making a very lucky day for the broadsheet seller.

The broadsheet evolved into higher-level content as humor was introduced. Eventually, all types of broadsheets emerged, which were eventually bound in collections, the prototype of the modern magazine and thus the comic book. Magazines formatted like the popular Punch, an elegant British creation, became the primary focus of documentary accounts of news and events, fiction and humor.

One can see in Punch, the sophisticated evolution of a comic book style, particularly in respect of the evolution of comics in Great Britain. Still and all, from an historical standpoint, the comic strip, and later the comic book, stood in the alley, waiting to be born. And then some say Great Britain’s Ally Sloper’s “Half Alley” was the first comic book. This was a black and white tabloid that had panels of cartoons mixed with a sliver of news; circa 1884.

Now while all this was going on in Great Britain, this inching towards the comic book, the United States had its own brand of evolution. Instead of magazines, US newspapers took the lead in creating the comic book industry.

Newspapers, with their first steps, took their single image gags and evolved them into multi-paneled comic strips. It was during this period that William Randolph Hearst scored a knockout with the Yellow Kid, which was actually printed in yellow ink.

So where did the actual comic book begin? Some say it was with reprints of Carl Schultz’ Foxy Grandpa, from 1901 to 1905. Although others say it was Great Britain’s Ally Sloper’s Half Alley. In 1902, Hearst published the Katzenjammer Kids and Happy Hooligan in books with cardboard covers.

For a time, the Yellow Kid himself was a top contender. But it depends how rigid you are in your description of a comic book. These examples, for sure, were predecessors to the modern comic book, which exploded in the 1930’s.

The Whitman Publishing Company, in 1934, became one of the pre-launchers for the modern comic book. They published forty issues of Famous Comics, which was a black and white hardcover reprint. The first regularly published comic book in the more recognizable modern format though, was Famous Funnies. It featured such memorable characters as Joe Palooka, Buck Rogers and Mutt and Jeff.

Superheroes as we know them today took a strong foothold in the 1930’s. In 1938, Max C. Gaines, who was one of the comic industry giants, brought “Superman” to Dell Comics publisher, Harry Donenfield.

Donenfield scored the comic coup of the century when he published a story written by two teenagers, Jerry Siegel and Joe Shuster- and so “Superman of Metropolis” (the title of their short story they wrote in their own fanzine) was born. Superman was to set a standard for comic book heroes that persist to this day.

About The Author:

Dave Gieber is the owner and editor of a website built around one of his childhood passions. Learn the basic essentials to comic book collecting success with this free 5-day course: www.comic-book-collection-made-easy.com/5-day-course.html

Obtaining autographs from celebrities requires patience and a little luck. As well, purchasing autographs online requires knowledge of the hobby.Question: I want to start sending requests to celebrities for autographs, what should I include in the letter?

Answer: When writing a letter to a celebrity, it is advisable to write no more than one page. Although celebrities may be thrilled that you appreciate their work, or liked their acting in a certain TV show or movie, they simply do not have enough time to read multi-page letters from fans. Also, when writing to a celebrity, try to include some specific references to their work that you particularly enjoy. Be very specific in your descriptions. Mention character names that they have played and movies in which they have starred or appeared. This makes a much better impression than just simply saying… “I enjoy all your movies. Send me an autograph”. Be courteous and respectful. My experience has been that celebrities are truly impressed with kind treatment from their fans and they usually reward it.

Question: I’m a beginner when it comes to autograph collecting. What type of autographs should I purchase?

Answer: Buy autographs that capture your interest. Don’t purchase items presented as “investments” or sold through pressure. Learn as much as possible the language of autograph collecting. The more you study, the easier it will be for you to determine what items are authentic and which items to purchase. Use common sense when buying a signed piece. If the price is too good to be true, it probably is. Purchase autographed items from reputable dealers, who will help you avoid risks and problems. Most dealers offer a certificate of authenticity, which is only as good as the reputation of the dealer. If the dealer cannot tell you when and where the item was signed or how it was obtained, go elsewhere.

Question: How do you determine the price or value of your autographs?

Answer: Several factors go into determining the price of an autographed item. The content of the photo (is this person known for his/her role shown in photo) and how difficult it is to obtain the autograph. Condition and market are also factors considered in pricing. Demand also has to be considered, especially if the celebrity has become more popular and the demand has increased suddenly. Examples recently include celebrities such as Johnny Depp, Hilary Duff, Viggo Mortensen, Orlando Bloom and Bruce Springsteen. Each has either had a very successful film, tour or CD. Here is a breakdown for determining value.

1) Who has signed the autograph? The key words here are “demand” and “scarcity.” If a particular person’s autograph is in high demand and it happens to be a scarce autograph, then you can expect it to have good value. This is why an autograph of Marilyn Monroe sells for over several thousands of dollars. She remains popular and her signature is in great demand. Her autographs are scarce when compared to those of entertainers George Burns, Jimmy Stewart or Joan Crawford, all of whom were around many decades longer to sign autographs for fans.

2) What item has been signed? A simple signature on an album page, menu, airline ticket or piece of paper is normally worth less than a signed document, signed photo, typed or handwritten letter. This is because it is the most common type of autograph. All things being equal, a handwritten signed letter demands a premium since not only does it have a name signed at the end but may also reveal something interesting, historical, or personal about the writer. Thus, you’re getting more than just a name signed on paper.

3) Is the signature in ink, pencil or otherwise? Ink is worth more than pencil. Pencil can fade over time and usually isn’t as dark and bold as a nice ink signature. Many collectors prefer and will pay more for ink signatures. But don’t take this to mean pencil signatures don’t have value. The great Apache Indian chief Geronimo signed pencil autographs at the 1904 World’s Fair in St. Louis. Today those pencil signatures on small cards can sell for at least $5,000. Today, most collectors prefer that photos and non-flat items be signed in sharpie or paint pen.

4) What is the condition of the autograph? Any damage to the autograph, photo or paper will lower value. Smears, stains, creases, smudges, fading, tears, holes or other damage will always drop the value of an autograph. To get top dollar and maximum value autographs must be in excellent condition.

There are several other small variables that can come into play when attempting to place a value on an autograph, but these four important questions are regarded as the most basic factors that determine an autograph’s value.

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